RED WEAPON HELIUM
8k Digital Cinema Camera
$ 250.00 to $ 700.00
The Standard for 4k/6k/8k acquisition: The Red Weapon.
A lot has happened since the RED ONE: 4k is no longer a six-figure workflow debacle. No more 20 minute startup times and no more Red Ninjas and no more Rent-3-and-hope-1-works-all-day and no more Submarine On Your Shoulder workarounds. This camera isn’t a sublimation of a carbon fiber tribal tattoo. This is the 4k camera that just works.
Use the sensor as you need to:
•4k for speedy turnarounds on 1080-destined content, using s16 sized lenses.
•4k with low compression for that ‘Cinematic Look’ on a short or feature that might need a film printout.
•6k or 8k for commercial projects that are post-heavy and need as much padding as you can get.
Our package is set up for a dogged, mobile crew: plenty of cards for dumping data all day, PL or EF mounts so that you can throw your own glass on interchangeably with ours, moveable components with NATO rails out the wazoo and a 4x Switronix 150Wh batteries so that you can shoot for 8-10 hours without needing to hunt for an outlet—and without running out of juice mid-take.
Dress it down or dress it up. Tune your package for sitting-on-sticks or run and gun. We’ll work with you to get it ready out of the case: we’ve turned our minds and hands into a working Instruction Manual so you don’t ever have to open a real one.
Specifications• Sensor: HELIUM 35.4 Megapixel CMOS • Dynamic Range:16.5+ stops • Acquisition Formats: 8K Full Format (8192 x 4320), 2:1, 2.4:1, 16:9, 14:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x , 7K Full Format (7168 x 3780), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 6K Full Format (6144 x 3240), 2:1, 2.4:1, 16:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x, 5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x, 3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x • Project Frame Rates: 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps in all resolutions • Output: HD-SDI Clean Feed, 2K RGB, 1080p RGB or 4:2:2, 720p 4:2:2, HD-SDI & HDMI with Frame Guides & Look Around, 2K RGB, 1080p RGB or 4:2:2, 720p RGB or 4:2:2 • Media: REDMAG (SSD) Module • Audio: 2 channel, uncompressed, 24-bit, 48KHz • Monitoring: RED LCD 7” Touchscreen Display + BOMB EVF™ High Definition Viewfinder
Includes •RED WEAPON HELIUM s35 Brain, RED CF sidekick •4x 512GB REDMAG with RED STATION MINI card reader •RED 7” Touchscreen and BOMB EVF •Wooden Camera cage with ARRI-compatible bridgeplate •Tilta shoulder rig •Wooden Camera cableless module with 4x Switronix 150Wh AB Batteries • Timecode cables and XLR adapter
RED WEAPON HELIUM
8k Digital Cinema Camera
$ 250.00 to $ 700.00
The Standard for 4k/6k/8k acquisition: The Red Weapon.
A lot has happened since the RED ONE: 4k is no longer a six-figure workflow debacle. No more 20 minute startup times and no more Red Ninjas and no more Rent-3-and-hope-1-works-all-day and no more Submarine On Your Shoulder workarounds. This camera isn’t a sublimation of a carbon fiber tribal tattoo. This is the 4k camera that just works.
Use the sensor as you need to:
•4k for speedy turnarounds on 1080-destined content, using s16 sized lenses.
•4k with low compression for that ‘Cinematic Look’ on a short or feature that might need a film printout.
•6k or 8k for commercial projects that are post-heavy and need as much padding as you can get.
Our package is set up for a dogged, mobile crew: plenty of cards for dumping data all day, PL or EF mounts so that you can throw your own glass on interchangeably with ours, moveable components with NATO rails out the wazoo and a 4x Switronix 150Wh batteries so that you can shoot for 8-10 hours without needing to hunt for an outlet—and without running out of juice mid-take.
Dress it down or dress it up. Tune your package for sitting-on-sticks or run and gun. We’ll work with you to get it ready out of the case: we’ve turned our minds and hands into a working Instruction Manual so you don’t ever have to open a real one.
Specifications• Sensor: HELIUM 35.4 Megapixel CMOS • Dynamic Range:16.5+ stops • Acquisition Formats: 8K Full Format (8192 x 4320), 2:1, 2.4:1, 16:9, 14:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x , 7K Full Format (7168 x 3780), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 6K Full Format (6144 x 3240), 2:1, 2.4:1, 16:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x, 5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x, 3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x • Project Frame Rates: 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps in all resolutions • Output: HD-SDI Clean Feed, 2K RGB, 1080p RGB or 4:2:2, 720p 4:2:2, HD-SDI & HDMI with Frame Guides & Look Around, 2K RGB, 1080p RGB or 4:2:2, 720p RGB or 4:2:2 • Media: REDMAG (SSD) Module • Audio: 2 channel, uncompressed, 24-bit, 48KHz • Monitoring: RED LCD 7” Touchscreen Display + BOMB EVF™ High Definition Viewfinder
Includes •RED WEAPON HELIUM s35 Brain, RED CF sidekick •4x 512GB REDMAG with RED STATION MINI card reader •RED 7” Touchscreen and BOMB EVF •Wooden Camera cage with ARRI-compatible bridgeplate •Tilta shoulder rig •Wooden Camera cableless module with 4x Switronix 150Wh AB Batteries • Timecode cables and XLR adapter
