Finally, a digital cinema camera that works the way you do: quickly, intelligently and conveniently.
With a super 16mm sized sensor and industry standard I/O, the A-Cam dII shoots in the new Cinema Standard RAW: CinemaDNG. Using the P+S Technik IMS Mount, you can shoot with s16, s35, ff35 and even still glass in PL, EF (canon) and C-mount lenses, opening up the opportunities to work with whatever glass you have on-hand or choosing the lenses that fit your vision and your budget. The integrated viewfinder with 1:1 zoom allows the operator to natively see exactly what’s in-frame, while the side display gives assistants and focus-pullers information as to what’s going on in the image as well as under the hood. And at half the size of every comparable camera, moving the sticks or going hand-held is easier than ever for a small, tight crew.
Our A-Cam is set up for maximum versatility: if quick pickups are in the cards, onboard batteries and a light rig make run-and-gun easy as pie; If all-day shooting with long zooms are on the call-sheet, snapping in V-mount batteries to a Switronix Jetpack allow you to power the camera for hours while also juicing up an external recorder (like our Sound Devices PIX240) and balancing the weight out on a heavy set of sticks. Options in post are also streamlined:
•Keep timecode in-check with Ambient Recording SMPTE timecode to jam other cameras and devices. Stop losing time!
•Use cinemaDNG files with Resolve or Premiere natively or to bounce out proxies for AVID MC, Final Cut or Adobe Premiere or After Effects.
• Image Size: 1920x1080 (1966x1092)• File Format: CinemaDNG • Colour Depth: 12 bit • Lens Mount: P+S Technik IMS Mount (PL, C, EF) • File Size: 3.4 MB/frame • Sensor: CCD 10.6x6 mm • Shutter: Global, 5-360° • Dynamic Range: 10-11 stops • Frame Rate: 1 - 30 fps, time lapse and still image • Sound: 2 channel 16 bit 48kHz Line Level (24 bit Delta-Sigma A/D converter) • Timecode: SMPTE internal and external (via 5 pin Lemo) • Focus Assist: 1:1 pixel zoom • Exposure Assist: Viewfinder Histogram + False Colour (viewfinder and HD-SDI out) • Video Output: HD-SDI 1080p 4:2:2 10 bit
•Ikonoskop A-Cam Dii Digital Cinema Camera •4x 80GB card and 2x 160GB card •IMS mount with PL, EF and C mount •1x card reader v2 with Thunderbolt, 1x Card reader v1 with ESATA •1x Remote stop start •4x NP-F770 battery (internal), battery charger, external power supply, •Switronix Jetpack with custom Ikonoskop cable, 4x V-mount batteries •2x HDSDI cable, 2x XLR (cable out and Wooden Camera A-Box) •Wooden Camera Nato Handle, Vocas riser, Tilta shoulder rig •1x AATON handle with custom trigger
Ikonoskop A-Cam dII
Digital Cinema Camera
$ 74.00 to $ 225.00
Finally, a digital cinema camera that works the way you do: quickly, intelligently and conveniently.
With a super 16mm sized sensor and industry standard I/O, the A-Cam dII shoots in the new Cinema Standard RAW: CinemaDNG. Using the P+S Technik IMS Mount, you can shoot with s16, s35, ff35 and even still glass in PL, EF (canon) and C-mount lenses, opening up the opportunities to work with whatever glass you have on-hand or choosing the lenses that fit your vision and your budget. The integrated viewfinder with 1:1 zoom allows the operator to natively see exactly what’s in-frame, while the side display gives assistants and focus-pullers information as to what’s going on in the image as well as under the hood. And at half the size of every comparable camera, moving the sticks or going hand-held is easier than ever for a small, tight crew.
Our A-Cam is set up for maximum versatility: if quick pickups are in the cards, onboard batteries and a light rig make run-and-gun easy as pie; If all-day shooting with long zooms are on the call-sheet, snapping in V-mount batteries to a Switronix Jetpack allow you to power the camera for hours while also juicing up an external recorder (like our Sound Devices PIX240) and balancing the weight out on a heavy set of sticks. Options in post are also streamlined:
•Keep timecode in-check with Ambient Recording SMPTE timecode to jam other cameras and devices. Stop losing time!
•Use cinemaDNG files with Resolve or Premiere natively or to bounce out proxies for AVID MC, Final Cut or Adobe Premiere or After Effects.
• Image Size: 1920x1080 (1966x1092)• File Format: CinemaDNG • Colour Depth: 12 bit • Lens Mount: P+S Technik IMS Mount (PL, C, EF) • File Size: 3.4 MB/frame • Sensor: CCD 10.6x6 mm • Shutter: Global, 5-360° • Dynamic Range: 10-11 stops • Frame Rate: 1 - 30 fps, time lapse and still image • Sound: 2 channel 16 bit 48kHz Line Level (24 bit Delta-Sigma A/D converter) • Timecode: SMPTE internal and external (via 5 pin Lemo) • Focus Assist: 1:1 pixel zoom • Exposure Assist: Viewfinder Histogram + False Colour (viewfinder and HD-SDI out) • Video Output: HD-SDI 1080p 4:2:2 10 bit
•Ikonoskop A-Cam Dii Digital Cinema Camera •4x 80GB card and 2x 160GB card •IMS mount with PL, EF and C mount •1x card reader v2 with Thunderbolt, 1x Card reader v1 with ESATA •1x Remote stop start •4x NP-F770 battery (internal), battery charger, external power supply, •Switronix Jetpack with custom Ikonoskop cable, 4x V-mount batteries •2x HDSDI cable, 2x XLR (cable out and Wooden Camera A-Box) •Wooden Camera Nato Handle, Vocas riser, Tilta shoulder rig •1x AATON handle with custom trigger